Continue reading “Riot Material (review)”
On April 8, 2019, Genie Davis reviewed Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz in “Stuck Together Repurposes And Becomes Richly Subversive” for Riot Material.
On November 2, 2018, Jacki Apple wrote Love Lost and the Enchantment of Objects, a critical essay on my performance, Object of Her Affection, for Fabrik in her column, Peripheral Visions: Perspectives on Performance, Media and Culture.Continue reading “Love Lost and the Enchantment of Objects by Jacki Apple (essay)”
On December 7th, 2017, Center Theatre Group interviewed Gina Young, Hana Kim, and myself as finalists for the 2018 Sherwood Award about our art/lives in L.A. Read the full story on the Center Theatre Group Blog.Continue reading “2018 Sherwood Award Finalists Interview (CTG Blog)”
On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson through support from her production company, Ibex Puppetry.Continue reading “A decade of the Puppet Slam Network”
On November 17th, my painting, sentiments, and photos from Art Bern: A Bernie Sanders Portrait Show were covered in the Huffpost.Continue reading “Huffington Post”
In March 2015, Who’s The Puppet Now?, a coffee table book of Sean Dennie’s photos was published. Created by the Calgary Animated Objects Society, the edition included a photos from my performances, Growing Up Linda – Fudgie’s Death during its run at the International Festival of Animated Objects and Object of Her Affection at REDCAT.
On July 19th 2014, I learned that my longtime friend, artist, and collaborator, Pippin Roe, had died. Weeks later, I was again hit with shocking news that Pippin’s death was likely the result of murder. The following January, a reporter writing a piece on Pippin contacted me through social media. At first I was skeptical, but it wasn’t long before I realized she was diligent digging through hard-to-find clues on a case that had been largely ignored by the media and didn’t seem like a priority for authorities. The story, publish on January 22, 2015, went beyond tragic circumstances surrounding Pippin’s death, speaking to her life and artistic work – much of which was featured in the article.