On November 2, 2018, Jacki Apple wrote Love Lost and the Enchantment of Objects, a critical essay on my performance, Object of Her Affection, for Fabrik in her column, Peripheral Visions: Perspectives on Performance, Media and Culture.
On December 7th, 2017, Center Theatre Group interviewed Gina Young, Hana Kim, and myself as finalists for the 2018 Sherwood Award about our art/lives in L.A. Read the full story on the Center Theatre Group Blog. Continue reading “2018 Sherwood Award Finalists Interview (CTG Blog)”
On August 19th, 2017, there was a book launch for COLA 20, featuring DJ Daedalus at Grand Performances in downtown Los Angeles. COLA 20, a hardbound edition, that tells the story of the Los Angeles art scene and the impact of the Department of Cultural Affairs through its 20 year history of the COLA Individual Artist Fellowship Initiative. I was awarded a COLA Fellowship in 2016, which enabled me to create the installation (In)/Animate Objects at Los Angeles Municipal Art Gallery. (In)/Animate Objects explored the excesses of a doll hoarding grandmother and featured 1,261 handmade, distressed rag dolls. Continue reading “COLA20 (book launch)”
On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson and through support from her production company, Ibex Puppetry. As PSN coordinator for just over a decade, my work focused on cataloguing, connecting, supporting, and generating awareness for evenings of short-form puppetry for adults.
On November 17th, my painting, thoughts, and photographs from Art Bern: A Bernie Sanders Portrait Show were covered in the Huffpost Arts and Culture section.
A portrait photo from my performance, Fudgie’s Death during it’s run at the International Festival of Animated Objects was included in Who’s The Puppet Now?, a coffee table book of photos by Sean Dennie published by the Calgary Animated Objects Society.
On July 19th 2014, I learned that my longtime friend, artist, and collaborator, Pippin Roe, had died. Weeks later, I was again hit with shocking news that Pippin’s death was likely the result of murder. The following January, a reporter writing a piece on Pippin contacted me through social media. At first I was skeptical, but it wasn’t long before I realized she was diligent digging through hard-to-find clues on a case that had been largely ignored by the media and didn’t seem like a priority for authorities. The story, publish on January 22, 2015, went beyond tragic circumstances surrounding Pippin’s death, speaking to her life and artistic work – much of which was featured in the article.
On December 30th, 2014, an entry on Object of Her Affection was published in Big Art Group’s 2015 Contemporary Performance Almanac, edited by Caden Manson and Jemma Nelson. Object of Her Affection is a solo puppetry and object performance art piece centered on a woman, who in her search for true love develops intimate relationships with inanimate objects.
On January 28th, 2013, The Portland Press Herald briefly covered my work with the Puppet Slam Network as part of a larger story on Blainor McGough, curator of King Friday’s Dungeon in Portland, ME.
In the Spring of 2012, The Puppetry Journal ran a substantive cover story on the world of puppet slams, featuring my work as co-founder of The Puppet Slam Network and my interviews with puppet slam artists. The Puppet Slam Network fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment. Continue reading “The Puppetry Journal (Press)”