Gainers and Feeders – hausofmarsian

The Austin Chronicle

Posted on December 6, 2018December 27, 2019 by hausofmarsian in Acting, Addiction, Austin, Comedy, Dolls, Drama, Eugene O'Neill Theater Center, Fabrication, Figurines, Food, Gainers and Feeders, Guilford, CT, Los Angeles, Marsian De Lellis, Melissa Dunphy, Object Theatre, Performance, Performance Art, performing objects, Press, Puppetry, Puppets, Table Top Puppetry, The Feeder, Theater, Tim Lagasse, Voice

On December 7, 2018, The Austin Chronicle covered The Austin Puppet Incident in which I performed The Feeder, a short tabletop puppetry piece about complicated relationship.

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The Feeder (Austin)

Posted on December 5, 2018December 27, 2019 by hausofmarsian in Austin, Dougherty Arts Center, Gainers and Feeders, Marsian De Lellis, Puppetry, Puppets, Table Top Puppetry

December 7th and 8th, 2018, I performed The Feeder at the Dougherty Arts Center as part of Austin Puppet Incident.

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Sitelines

Posted on December 2, 2018December 27, 2019 by hausofmarsian in Acting, Addiction, Art, Austin, Comedy, Design, Dolls, Drama, Fabrication, Figurines, Gainers and Feeders, LA, Los Angeles, Marsian De Lellis, Melissa Dunphy, Object Theatre, Performance, Performance Art, performing objects, Puppetry, Puppets, Ronnie Burkett, Table Top Puppetry, The Feeder, Theater, Tim Lagasse

On December 2nd, 2018, Site Lines covered The Austin Puppet Incident in which I was performing The Feeder, a short tabletop puppetry piece about complicated relationship.

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The Feeder, Portland Oregon

Posted on October 15, 2016December 27, 2019 by hausofmarsian in Comedy, Dolls, Gainers and Feeders, Marsian De Lellis, Performance, Performance Art, Puppetry, Puppets, Theater

The weekend of October 15th and 16th, 2016, I performed The Feeder at Beady Little Eyes puppet slam

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The Feeder, Waterford, CT (performance)

Posted on June 12, 2015July 25, 2019 by hausofmarsian in Acting, Comedy, Design, Dolls, Drama, Eugene O'Neill Theater Center, Fabrication, Figurines, Food, Gainers and Feeders, Los Angeles Guild of Puppetry, Marsian De Lellis, Melissa Dunphy, National Puppetry Conference, Object Theatre, Performance, Performance Art, performing objects, Puppetry, Puppets, Ronnie Burkett, Sharon Challenger, The Feeder, Theater, Waterford

On June 12th and 13th, 2015, I performed The Feeder, a short solo tabletop puppetry piece that explores the unintended consequences of a complicated relationship.

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Contemporary Performance Almanac 2015 (book)

Posted on December 30, 2014August 26, 2019 by hausofmarsian in Animism, Birthday Trauma, Bride of Wildenstein - The Musical, Fudgie's Death, Gainers and Feeders, Growing Up Linda, LSD Kills, Marsian De Lellis, Michele Spears, NYC, Object of Her Affection, Object Sexuality, Object Sexuals, Performance, Performance Art, performing objects, Photographs, Plastic Surgery, Press, Puppetry, Puppets, Table Top Puppetry, Theater, Toy Theatre, Video, Written

On December 30th, 2014, an entry on Object of Her Affection was published in the 2015 Contemporary Performance Almanac.

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Puppets from The Edge 2010, Orlando (curatorial)

Posted on December 4, 2010December 2, 2017 by hausofmarsian in Acting, Addiction, Curatorial, Design, Dolls, Fabrication, Figurines, Food, Fudgie's Death, Gainers and Feeders, Gallery, Growing Up Linda, Heather Henson, Marsian De Lellis, Object Theatre, Orlando, Orlando Puppet Festival, Performance, Performance Art, performing objects, Puppetry, Puppets, Table Top Puppetry, Theater

On Saturday, December 4th, 2010, I curated and hosted Puppets from the Edge with puppet artist, Hannah Miller at the Gallery at Avalon Island in downtown Orlando. Puppets from The Edge was an evening of short form puppetry for adults, during the 2010 Orlando Puppet Festival.

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Growing Up Linda – Fudgie’s Death, Waterford, CT (performance)

Posted on June 16, 2010August 15, 2019 by hausofmarsian in cantastoria, Comedy, Eugean Seo, Eugene O'Neill Theater Center, Fudgie's Death, Gainers and Feeders, Growing Up Linda, Hunter Wells, Joel Egger, Kari Rae Seekons, Lee Vargas, Liz Hara, Marsian De Lellis, National Puppetry Conference, Performance, Performance Art, performing objects, PJ McWhiskers, Pop-Ups, Puppetry, Puppets, Rachel Weir, Surrealism, Table Top Puppetry, Theater, Toy Theatre, Video, Waterford

On Wednesday, June 16th, 2010, I performed Fudgie’s Death, at Blue Gene’s Pub in Waterford Connecticut.

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CalArts, MFA (education)

Posted on May 15, 2009October 18, 2017 by hausofmarsian in Acting, Addiction, Animism, Art, Birthday Trauma, Bride of Wildenstein - The Musical, CalArts, cantastoria, Curatorial, Cut Outs, Dance, Design, Dolls, Edinburgh Fringe, Fabrication, Figurines, Food, Fudgie's Death, Gainers and Feeders, Gallery, Growing Up Linda, Improv, Janie Geiser, Jocelyn Wildenstein, LA, Live Feed, Los Angeles, Marionettes, Marsian De Lellis, Miniatures, Object Theatre, Performance, Performance Art, performing objects, Plastic Surgery, Pop-Ups, Puppetry, Puppets, REDCAT, REDCAT Studio, Shadow Puppetry, Susan Simpson, Table Top Puppetry, Theater, Toy Theatre, Valencia, Video, Voice, Written

Growing Up Linda, design, ©2007 Marsian De Lellis — *Growing Up Linda*, design, ©2007 Marsian De Lellis

On May 15th, 2009 I earned my MFA degree from California Institute for the Arts (CalArts) in Scenic Design in the Puppetry track from the Theater School and the Cotsen Center for Puppetry and the Arts. I attended CalArts between 2006-2009 under the mentorship of Janie Geiser and Susan Simpson and developed two major productions, Growing Up Linda and Bride of Wildenstein – The Musical,.

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The Scotsman (review)

Posted on August 14, 2008August 12, 2019 by hausofmarsian in Comedy, Edinburgh, Edinburgh Fringe, Eugean Seo, Fudgie's Death, Gainers and Feeders, Growing Up Linda, Joel Egger, Live Feed, LSD Kills, Marsian De Lellis, Performance, Performance Art, performing objects, PJ McWhiskers, Pop-Ups, Press, Puppetry, Puppets, Rachel Weir, Stop-motion, Surrealism, Table Top Puppetry, Theater, Toy Theatre, Venue 13, Video, Violence, Written

A review by Malcolm Jack in the Scotsman, characterized Growing Up Linda’s run at the 2008 Edinburgh Fringe as “colorful, elaborate, nightmarish”.

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