
On December 7, 2018, The Austin Chronicle covered The Austin Puppet Incident in which I performed The Feeder, a short tabletop puppetry piece about complicated relationship.
Continue reading “The Austin Chronicle”On December 7, 2018, The Austin Chronicle covered The Austin Puppet Incident in which I performed The Feeder, a short tabletop puppetry piece about complicated relationship.
Continue reading “The Austin Chronicle”December 7th and 8th, 2018, I performed The Feeder at the Dougherty Arts Center as part of Austin Puppet Incident.
Continue reading “The Feeder (Austin)”On December 2nd, 2018, Site Lines covered The Austin Puppet Incident in which I was performing The Feeder, a short tabletop puppetry piece about complicated relationship.
Continue reading “Sitelines”The weekend of October 15th and 16th, 2016, I performed The Feeder at Beady Little Eyes puppet slam
Continue reading “The Feeder, Portland Oregon”On June 12th and 13th, 2015, I performed The Feeder, a short solo tabletop puppetry piece that explores the unintended consequences of a complicated relationship.
Continue reading “The Feeder, Waterford, CT (performance)”On December 30th, 2014, an entry on Object of Her Affection was published in the 2015 Contemporary Performance Almanac.
Continue reading “Contemporary Performance Almanac 2015 (book)”On Saturday, December 4th, 2010, I curated and hosted Puppets from the Edge with puppet artist, Hannah Miller at the Gallery at Avalon Island in downtown Orlando. Puppets from The Edge was an evening of short form puppetry for adults, during the 2010 Orlando Puppet Festival.
Continue reading “Puppets from The Edge 2010, Orlando (curatorial)”
On Wednesday, June 16th, 2010, I performed Fudgie’s Death, at Blue Gene’s Pub in Waterford Connecticut.
Continue reading “Growing Up Linda – Fudgie’s Death, Waterford, CT (performance)”On May 15th, 2009 I earned my MFA degree from California Institute for the Arts (CalArts) in Scenic Design in the Puppetry track from the Theater School and the Cotsen Center for Puppetry and the Arts. I attended CalArts between 2006-2009 under the mentorship of Janie Geiser and Susan Simpson and developed two major productions, Growing Up Linda and Bride of Wildenstein – The Musical,.
A review by Malcolm Jack in the Scotsman, characterized Growing Up Linda’s run at the 2008 Edinburgh Fringe as “colorful, elaborate, nightmarish”.
Continue reading “The Scotsman (review)”