The Austin Chronicle

On December 7, 2018, The Austin Chronicle covered The Austin Puppet Incident in which I performed The Feeder, a short tabletop puppetry piece about complicated relationship.

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The Feeder (Austin)

December 7th and 8th, 2018, I performed The Feeder at the Dougherty Arts Center as part of Austin Puppet Incident.

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Sitelines

On December 2nd, 2018, Site Lines covered The Austin Puppet Incident in which I was performing The Feeder, a short tabletop puppetry piece about complicated relationship.

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The Feeder, Portland Oregon

Photo: Sean Patrick Johnson

The weekend of October 15th and 16th, 2016, I performed The Feeder at Beady Little Eyes puppet slam

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The Feeder, Waterford, CT (performance)

Photo: Sean P. Higgins

On  June 12th and 13th, 2015, I performed The Feeder, a short solo tabletop puppetry piece that explores the unintended consequences of a complicated relationship.

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Contemporary Performance Almanac 2015 (book)

2015 Contemporary Performance Almanac
2015 Contemporary Performance Almanac

On December 30th, 2014, an entry on Object of Her Affection was published in the 2015 Contemporary Performance Almanac.

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Puppets from The Edge 2010, Orlando (curatorial)

On Saturday, December 4th, 2010, I curated and hosted Puppets from the Edge with puppet artist, Hannah Miller at the Gallery at Avalon Island in downtown Orlando. Puppets from The Edge was an evening of short form puppetry for adults, during the 2010 Orlando Puppet Festival.

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Growing Up Linda – Fudgie’s Death, Waterford, CT (performance)

Marsian De Lellis, Liz Hara, 2010
Marsian De Lellis, Liz Hara, 2010

On Wednesday, June 16th, 2010, I performed Fudgie’s Death,  at Blue Gene’s Pub in Waterford Connecticut.

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CalArts, MFA (education)

Growing Up Linda, design, ©2007 Marsian De Lellis
Growing Up Linda, design, ©2007 Marsian De Lellis

On May 15th, 2009 I earned my MFA degree from California Institute for the Arts (CalArts) in Scenic Design in the Puppetry track from the Theater School and the Cotsen Center for Puppetry and the Arts. I attended CalArts between 2006-2009 under the mentorship of Janie Geiser and Susan Simpson and developed two major productions, Growing Up Linda and Bride of Wildenstein – The Musical,.

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The Scotsman (review)

A review by Malcolm Jack in the Scotsman, characterized Growing Up Linda’run at the 2008 Edinburgh Fringe as “colorful, elaborate, nightmarish”.

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