Whether it’s disintegrating dolls, mutant ceramic bunnies, or rescue animal pinups, the artists of Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz, playfully handcraft responses to mass-produced objects and images charged with autobiographical fragments. Join me on a virtual tour, where we can survey the work for context… Continue reading “How We Got Stuck Together”
On November 2, 2018, Jacki Apple wrote Love Lost and the Enchantment of Objects, a critical essay on my performance, Object of Her Affection, for Fabrik in her column, Peripheral Visions: Perspectives on Performance, Media and Culture.
On December 7th, 2017, Center Theatre Group interviewed Gina Young, Hana Kim, and myself as finalists for the 2018 Sherwood Award about our art/lives in L.A. Read the full story on the Center Theatre Group Blog. Continue reading “2018 Sherwood Award Finalists Interview (CTG Blog)”
Julie Brown‘s Homecoming Queen’s Got a Gun – The Musical in which I designed a humanette puppet used by Drew Droege opened for another run in Los Angeles at the Cavern Club Theater October 13th-21st, 2017. Continue reading “Homecoming Queen’s Got a Gun (puppet design)”
On June 16th + 17th, I presented an initial scene from Model Killer: Giant Crimes & Tiny Cover-Ups, as an artist-in-residence at the Eugene O’Neill Theater Center at the culmination of the National Puppetry Conference. Model Killer is a morbid comedy centered on Vivian Nutt, a disgruntled dollhouse maker turned investigator. Vivian builds dioramas of unsolved murders, only for it to be revealed that she is a serial killer. In Model Killer, I am creating a universe in which I invite the viewer to reconsider female serial killers, the historically feminine craft of miniatures, and murder as entertainment.
On April 20th, 2017, American Theatre, a publication of Theatre Communications Group announced the 2017 season at the Eugene O’Neill Theater Center, including my artist-in-residence at the National Puppetry Conference. The artist-in-residence was for Model Killer: Giant Crimes & Tiny Cover-Ups, a morbid comedy centered on Vivian Nutt, a disgruntled dollhouse maker turned investigator.
The weekend of October 15th, 2016, I performed The Feeder, a short tabletop puppetry piece about a man on the run after accidentally feeding his wife to death at The Echo Theatre in Portland, OR. There were two shows: Saturday, October 15th and Sunday October 16th as part of Beady Little Eyes Puppet Slam.
On October 8, 2016, Gender is a Construct, Do-Si-Do, a Funny or Die video I was an associate producer and puppeteer on was released. In Gender is a Construct, Do-Si-Do, which was awarded Funny or Die’s “immortal” status, the caller of a puppet square dance struggles with the modern politics of gender and sexual identity