On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson through support from her production company, Ibex Puppetry.Continue reading “A decade of the Puppet Slam Network”
On January 28th, 2013, The Portland Press Herald briefly covered my work with the Puppet Slam Network as part of a larger story on Blainor McGough, curator of King Friday’s Dungeon in Portland, ME.
In the Spring of 2012, The Puppetry Journal ran a substantive cover story on the world of puppet slams, featuring my work as co-founder of The Puppet Slam Network and my interviews with puppet slam artists. The Puppet Slam Network fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment. Continue reading “The Puppetry Journal (Press)”
In the fall of 2011, I started a series of informational posts on the Puppet Slam Network website about organizing evenings of short-form puppetry and object theatre for adults.Continue reading “Puppet Slam Network: Informational Posts”
While in Chicago at Links Hall, with Fudgie’s Death, I also narrated an excerpt from Susan Simpson‘s Exhibit A. Exhibit A, was an object theatre piece rooted in the utopian visions of early gay organizing and in the language and aesthetics of science fiction. Performances were the final weekend of the Banners and Cranks Festival of Cantrastoria May 7th through May 9th, 2010.
In 2008, I was the recipient of an Interdisciplinary Grant from the California Institute of Arts for a workshop of Growing Up Linda and the premiere at Venue 13 in Edinburgh.Continue reading “Interdisciplinary Project Grant – 2008 (support)”