A decade of the Puppet Slam Network (curatorial)

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On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson and through support from her production company, Ibex Puppetry.  As PSN coordinator for just over a decade, my work focused on cataloguing, connecting, supporting, and generating awareness for evenings of short-form puppetry for adults.  

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Portland Press Herald, (Puppet Slam Network)

On January 28th, 2013, The Portland Press Herald briefly covered my work with the Puppet Slam Network as part of a larger story on Blainor McGough, curator of King Friday’s Dungeon in Portland, ME.

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The Puppetry Journal (Press)

In the Spring of 2012, The Puppetry Journal ran a substantive cover story on the world of puppet slams, featuring my work as co-founder of The Puppet Slam Network and my interviews with puppet slam artists. The Puppet Slam Network fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment.   Continue reading “The Puppetry Journal (Press)”

City Paper – 12/14/11, Baltimore (press)

2011-12-14-CP-16x9-Body#1-100dpi City Paper Baltimore 2011 Fudgie Object/Fetish

On December 14, 2011, Baltimore’s City Paper included me in their Top Ten – The Year In Art, characterizing my work at the Transmodern Festival as “..a whole slew of WTF”.

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Puppet Slam Network (blog)

On September 2011 – I began a series of informational blog posts on the Puppet Slam Network website that addressed topics related to organizing evenings of short-form puppetry and object theatre for adults. Topics included: the significance of puppet slams, puppet slam history, the future of slams, sources of inspiration, working with a fiscal recipient, learning from fabulous failures,  advice on hosting and performing in slams, self promotion, and how to get the most out of the Puppet Slam Network.

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Object/Fetish, Baltimore (artist talk)

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On  April 30, 2011, I presented my multimedia artist talk, Object/Fetish: Staging the Suspension of Disbelief  at a salon/art party in the H&H Arts Building in Baltimore as part of the Transmodern Festival. The artist talk was co-sponsored by the Maryland Institue College of Art’s Fiber, Sculpture and Humanistic Studies Departments.

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Growing Up Linda – Fudgie’s Death, Baltimore (performance)

On Friday, April 29th, 2011, I performed Fudgie’s Death, a short segment from Growing Up Linda at 14Karat Cabaret during the Transmodern Festival as part of Travesty at Hand:  an evening of poupées, toupees and dummies. Baltimore’s New Urbanite described the performance as “eccentric adult puppetry that oscillates between adorable, abject, campy, and earnest”.

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Artist Talk, Baltimore (talk)

Artist Talk, Baltimore 2011
Artist Talk, Baltimore 2011

On April 27 8-10pm, I presented my Artist Talk at the Maryland Institute College of Art (MICA) in Baltimore for Valeska Populoh’s graduating class in the Fiber Department. While at MICA I spoke about performances like Growing Up Linda and Bride of Wildenstein – The Musical.

This artist talk was made in conjunction with my performance, Fudgie’s Death at the 14Karat Cabaret  and my presentation Object/Fetish at a salon/art party in the H&H Arts Building as part of the 2011 Transmodern Festival.

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City Paper – 4/27/11, Baltimore (press)

2011-City-Paper-18-Detail-Collage2-16x9c-200dpi Baltimore Weekly Fudgie's Death 2010

On April 27th, 2011, City Paper in Baltimore, covered the Transmodern Festival, which featured a photo and mention of Fudgie’s Death, which I was performing. In Fudgie’s Death, I transformed table-top pop-up books into full-screen cinema. This  neo-noir tale of depravity is centered on the daughter of a famous ice cream mogul, who must come to terms with her troubled past,

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CJOB, Winnipeg (Puppet Slam Network Press)

On July 7th, 2010, Dan Walechuck appeared on CJOB (Winnipeg) to talk about The Puppet Slam Network and the Winnipeg Puppet Slam, (which I performed in). The Puppet Slam Network, which I co-founded with Heather Henson, fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment.  

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