On July 9th, 2020, 24700, news from California Institute for the Arts blog announced my individual artist residency Automata to develop Model Killer: Giant Crimes + Tiny Cover-ups.Continue reading “24700 Automata Residency”
During the COVID-19 Pandemic, Automata awarded me a three week individual artist residency at its space in the Chinatown arts district of Los Angeles where I worked on the development of Model Killer.Continue reading “Automata Residency Announcement”
On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson through support from her production company, Ibex Puppetry.Continue reading “A decade of the Puppet Slam Network”
On August 11th, 2013, Automata hosted a private reading of the script for Object of Her Affection,Continue reading “Object of Her Affection, Automata (reading)”
On January 28th, 2013, The Portland Press Herald briefly covered my work with the Puppet Slam Network as part of a larger story on Blainor McGough, curator of King Friday’s Dungeon in Portland, ME.
On Friday November 30th and Saturday December 1st, 2012, I performed an excerpt from the script of Object of Her Affection at Automata in Los Angeles.Continue reading “Object of Her Affection, Automata (reading)”
In the Spring of 2012, The Puppetry Journal ran a substantive cover story on the world of puppet slams, featuring my work as co-founder of The Puppet Slam Network and my interviews with puppet slam artists. The Puppet Slam Network fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment. Continue reading “The Puppetry Journal (Press)”