Object of Her Affection – FAQs

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2018, photo: Jane Pickett

In the run up to Object of Her Affection, I’m answering some frequently asked questions about the performance and subject matter.

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Foundation for Contemporary Arts (support)

photo: Rafael Hernandez

On August 14, 2018, Object of Her Affection and its performances at Automata as part of LAX Festival became the recipient of The Foundation for Contemporary Arts Emergency Grant.

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2018 Sherwood Award Finalists Interview (CTG Blog)

IMG_4221 Gina Young,  Hana Kim, and Marsian De Lellis at Center Theatre Group, Los Angeles, 2017, Photo: Ryan Miller/Capture Imaging Sherwood
Gina Young,  Hana Kim, and Marsian De Lellis at Center Theatre Group, Los Angeles, 2017, Photo: Ryan Miller / Capture Imaging Sherwood

On December 7th, 2017, Center Theatre Group interviewed Gina Young, Hana Kim, and myself as finalists for the 2018 Sherwood Award about our art/lives in L.A. Read the full story on the Center Theatre Group Blog.

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Homecoming Queen’s Got a Gun 2017 (puppet design)

October 13th-21st, 2017, Julie Brown’s Homecoming Queen’s Got a Gun – The Musical, in which I designed a puppet opened at the Cavern Club Theater in Los Angeles for fourth run.

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American Theatre (magazine)

On April 20th, 2017, American Theatre, announced the 2017 season at the Eugene O’Neill Theater Center, including my artist-in-residence for Model Killer.

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The Feeder, Portland Oregon

Photo: Sean Patrick Johnson

The weekend of October 15th and 16th, 2016, I performed The Feeder at Beady Little Eyes puppet slam

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The Feeder, Waterford, CT (performance)

Photo: Sean P. Higgins

On  June 12th and 13th, 2015, I performed The Feeder, a short solo tabletop puppetry piece that explores the unintended consequences of a complicated relationship.

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2015 Jim Henson Foundation Grant (support)

Photo: Rafael Hernandez

In 2015, Object of Her Affection was the recipient of a Project Grant from the Jim Henson Foundation.

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The Scotsman (review)

A review by Malcolm Jack in the Scotsman, characterized Growing Up Linda’run at the 2008 Edinburgh Fringe as “colorful, elaborate, nightmarish”.

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