Whether it’s disintegrating dolls, mutant ceramic bunnies, or rescue animal pinups, the artists of Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz, playfully handcraft responses to mass-produced objects and images charged with autobiographical fragments. Join me on a virtual tour, where we can survey the work for context… Continue reading “How We Got Stuck Together”
On November 2, 2018, Jacki Apple wrote Love Lost and the Enchantment of Objects, a critical essay on my performance, Object of Her Affection, for Fabrik in her column, Peripheral Visions: Perspectives on Performance, Media and Culture.Continue reading “Love Lost and the Enchantment of Objects by Jacki Apple (essay)”
I am delighted to announce that I will be the recipient of a Foundation for Contemporary Arts Emergency Grant, which will support performances of Object of Her Affection at Automata as part of LAX Festival. Object of Her Affection is a solo object and puppet-based performance art piece centered on a woman, who in her search for true love develops intimate relationships with inanimate objects. There will be twelve performances over three weekends from September 27th and October 14th. Details will be coming soon.
On December 7th, 2017, Center Theatre Group interviewed Gina Young, Hana Kim, and myself as finalists for the 2018 Sherwood Award about our art/lives in L.A. Read the full story on the Center Theatre Group Blog. Continue reading “2018 Sherwood Award Finalists Interview (CTG Blog)”
Today, the Center Theatre Group announced three finalists in the Richard E. Sherwood Award, which included Gina Young and Hana Kim, and myself.
On June 16th + 17th, I presented an initial scene from Model Killer: Giant Crimes & Tiny Cover-Ups, as an artist-in-residence at the Eugene O’Neill Theater Center at the culmination of the National Puppetry Conference. Model Killer is a morbid comedy centered on Vivian Nutt, a disgruntled dollhouse maker turned investigator. Vivian builds dioramas of unsolved murders, only for it to be revealed that she is a serial killer. In Model Killer, I am creating a universe in which I invite the viewer to reconsider female serial killers, the historically feminine craft of miniatures, and murder as entertainment.
From to June 3rd-10th, 2017, video documentation from my performance, Raggedy Ann to Real Doll was on display at Los Angeles Contemporary Exhibitions as part of Irrational Exhibits 10th Anniversary: Mapping the Divide, curated and produced by Deborah Oliver. In Raggedy Ann to Real Doll, I constructed a storefront operating theater at LACE as one of America’s most beloved dolls went under the knife. I examined how we negotiate our idea of personal identity in an ever-shifting landscape of technologies that can drastically alter and re-map the body. Projected video and the remote voyeurism from a live stream provided multiple onsite and virtual opportunities for spectatorship.
In June 2017, I was the recipient of funding from both the Walt Disney Company and the Eugene O’Neill Center for an artist-in-residence as part of the National Puppetry Conference. During the residency, I worked on Model Killer: Giant Crimes & Tiny Cover-Ups and performed the first scene, Model Victims at its culmination.
Continue reading “Walt Disney Co. + Eugene O’Neill Theater Center (support)”