In April, The Puppetry Journal printed a review of Object of Her Affection by Marissa Fenley as part of its coverage of the Chicago International Puppet Theatre Festival.
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In a review of Object of Her Affection at the Chicago International Puppet Theater Festival, Ann Boland wrote on her blog, that the performance was “weird, amazing, funny, endearing, way over-the-top”.
Continue reading “Object of Her Affection, Ann Boland Review”Saturday, January 22, 2022, I discussed the creation and development of Object of Her Affection at a symposium, Staging the Non-Human Character; Animal, Alien, or Architecture with Maria Camia, Nick Lehane, Basil Twist, and moderator, Dr. Paulette Richards. The symposium, part of the Chicago International Puppet Theater Festival streamed at on HowlRound.
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The Fall 2021 Edition of The Puppetry Journal profiled the Chicago International Puppet Theater Festival, including Object of Her Affection, which performed as part of the festival.
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On Saturday, May 11th, there was a closing reception for Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz at Track 16
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Whether it’s disintegrating dolls, mutant ceramic bunnies, or rescue animal pinups, the artists of Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz, playfully handcraft responses to mass-produced objects and images charged with autobiographical fragments. Join me on a virtual tour, where we can survey the work for context… Continue reading “How We Got Stuck Together”
On November 2, 2018, Jacki Apple wrote Love Lost and the Enchantment of Objects, a critical essay on my performance, Object of Her Affection, for Fabrik in her column, Peripheral Visions: Perspectives on Performance, Media and Culture.
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On October 8, 2018, Downtown News featured Object of Her Affection in their ‘Don’t Miss’ List.
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Kickstarter Update: Just 2 days ago in the middle of the night, I launched a Kickstarter for a 3-week run of Object of Her Affection at Automata in Los Angeles as part of LAX Festival.
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On August 14, 2018, Object of Her Affection and its performances at Automata as part of LAX Festival became the recipient of The Foundation for Contemporary Arts Emergency Grant.
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