In April, The Puppetry Journal printed a review of Object of Her Affection by Marissa Fenley as part of its coverage of the Chicago International Puppet Theatre Festival.
Continue reading “Puppetry Journal – review of “Object of Her Affection””
In a review of Object of Her Affection at the Chicago International Puppet Theater Festival, Ann Boland wrote on her blog, that the performance was “weird, amazing, funny, endearing, way over-the-top”.
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The Fall 2021 Edition of The Puppetry Journal profiled the Chicago International Puppet Theater Festival, including Object of Her Affection, which performed as part of the festival.
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On Saturday, May 11th, there was a closing reception for Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz at Track 16
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Whether it’s disintegrating dolls, mutant ceramic bunnies, or rescue animal pinups, the artists of Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz, playfully handcraft responses to mass-produced objects and images charged with autobiographical fragments. Join me on a virtual tour, where we can survey the work for context… Continue reading “How We Got Stuck Together”
On October 8, 2018, writer, Jane Pickett dropped this interview outtake from her piece in Riting on Object of Her Affection and its origins. In this clip I reflect on some childhood memories with puppets and dolls
Continue reading “Riting: Muppets + Mummification”
On October 8, 2018, Downtown News featured Object of Her Affection in their ‘Don’t Miss’ List.
Continue reading “Los Angeles Downtown News (Los Angeles)”On October 4, 2018, writer, Jane Pickett dropped this interview outtake from her piece in Riting on Object of Her Affection and its origins. In this clip I reflect on dolls, gender, and the work of the Barbie Liberation Organization
Continue reading “Riting: Dolls, Gender + Barbie Liberation”
On September 17, 2018, Molaundo Jones interviewed me for the blog of Fractured Atlas, a non-profit arts organization I have been a member of since 2014.
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On August 14, 2018, Object of Her Affection and its performances at Automata as part of LAX Festival became the recipient of The Foundation for Contemporary Arts Emergency Grant.
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