How We Got Stuck Together

Detail from (In)/Animate Objects Panel #1, 2019,  photo: Track 16

Whether it’s disintegrating dolls, mutant ceramic bunnies, or rescue animal pinups, the artists of Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz, playfully handcraft responses to mass-produced objects and images charged with autobiographical fragments. Join me on a virtual tour, where we can survey the work for context… Continue reading “How We Got Stuck Together”

24700 (Blog)

On March 29, 2019, 24700, News from California Institute of the Arts featured my D+R Residency at Automata for Model Killer in their blog article by Katie Dunham.

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Love Lost and the Enchantment of Objects by Jacki Apple (essay)

On November 2, 2018, Jacki Apple wrote Love Lost and the Enchantment of Objects, a critical essay on my performance, Object of Her Affection, for Fabrik in her column, Peripheral Visions: Perspectives on Performance, Media and Culture.

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Foundation for Contemporary Arts (support)

Object-FCAb-16x9-150dpi Object of Her Affection, Photo Rafael Hernandez

I am delighted to announce that I will be the recipient of a Foundation for Contemporary Arts Emergency Grant, which will support performances of Object of Her Affection at Automata as part of LAX Festival.  Object of Her Affection is a solo object and puppet-based performance art piece centered on a woman, who in her search for true love develops intimate relationships with inanimate objects. There will be twelve performances over three weekends from September 27th and October 14th.  Details will be coming soon.

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2018 Sherwood Award Finalists Interview (CTG Blog)

IMG_4221 Gina Young,  Hana Kim, and Marsian De Lellis at Center Theatre Group, Los Angeles, 2017, Photo: Ryan Miller/Capture Imaging Sherwood
Gina Young,  Hana Kim, and Marsian De Lellis at Center Theatre Group, Los Angeles, 2017, Photo: Ryan Miller / Capture Imaging Sherwood

On December 7th, 2017, Center Theatre Group interviewed Gina Young, Hana Kim, and myself as finalists for the 2018 Sherwood Award about our art/lives in L.A. Read the full story on the Center Theatre Group Blog. Continue reading “2018 Sherwood Award Finalists Interview (CTG Blog)”

Tax-deductible contributions accepted through Fractured Atlas

I am currently raising funds for the next iterations of Object of Her Affection and Model Killer: Giant Crimes & Tiny Cover-UpsIf you’d like to support my work you can make tax-deductible contributions through Fractured Atlas: https://shar.es/1N035T

Richard E. Sherwood Award Finalists

The 2017 Sherwood Awards Winners
Hana Kim, Marsian De Lellis, Gina Young at Center Theatre Group, Los Angeles, California, 2017, Photo by Ryan Miller/Capture Imaging

Today, the Center Theatre Group announced three finalists in the Richard E. Sherwood Award, which included Gina Young and Hana Kim, and myself.

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Homecoming Queen’s Got a Gun (puppet design)

Julie Brown‘s Homecoming Queen’s Got a Gun – The Musical in which I designed a humanette puppet used by Drew Droege opened for another run in Los Angeles at the Cavern Club Theater  October 13th-21st, 2017. Continue reading “Homecoming Queen’s Got a Gun (puppet design)”

Model Killer – Model Victims, Waterford, CT (workshop performance)

Model Killer, 2017, Photo: Richard Termine
Model Killer, 2017, Photo: Richard Termine

On June 16th + 17th, I presented an initial scene from Model Killer: Giant Crimes & Tiny Cover-Ups, as an artist-in-residence at the Eugene O’Neill Theater Center at the culmination of the National Puppetry Conference. Model Killer is a morbid comedy centered on Vivian Nutt, a disgruntled dollhouse maker turned investigator. Vivian builds dioramas of unsolved murders, only for it to be revealed that she is a serial killer.  In Model Killer, I am creating a universe in which I invite the viewer to reconsider female serial killers, the historically feminine craft of miniatures, and murder as entertainment.

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Raggedy Ann to Real Doll 2017, Los Angeles (video installation)

2017, photo: Curt Lemieux
2017, photo: Curt Lemieux

From to June 3rd-10th, 2017, video documentation from my performance, Raggedy Ann to Real Doll was on display at Los Angeles Contemporary Exhibitions as part of Irrational Exhibits 10th  Anniversary: Mapping the Divide, curated and produced by Deborah Oliver. In  Raggedy Ann to Real Doll,  I constructed a storefront operating theater at LACE as one of America’s most beloved dolls went under the knife.  I examined how we negotiate our idea of personal identity in an ever-shifting landscape of technologies that can drastically alter and re-map the body. Projected video and the remote voyeurism from a live stream provided multiple onsite and virtual opportunities for spectatorship.

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