I am delighted to announce that I will be the recipient of a Foundation for Contemporary Arts Emergency Grant, which will support performances of Object of Her Affection at Automata as part of LAX Festival. Object of Her Affection is a solo object and puppet-based performance art piece centered on a woman, who in her search for true love develops intimate relationships with inanimate objects. There will be twelve performances over three weekends from September 27th and October 14th. Details will be coming soon.
On December 7th, 2017, Center Theatre Group interviewed Gina Young, Hana Kim, and myself as finalists for the 2018 Sherwood Award about our art/lives in L.A. Read the full story on the Center Theatre Group Blog. Continue reading “2018 Sherwood Award Finalists Interview (CTG Blog)”
Today, the Center Theatre Group announced three finalists in the Richard E. Sherwood Award, which included Gina Young and Hana Kim, and myself.
On June 16th + 17th, I presented an initial scene from Model Killer: Giant Crimes & Tiny Cover-Ups, as an artist-in-residence at the Eugene O’Neill Theater Center at the culmination of the National Puppetry Conference. Model Killer is a morbid comedy centered on Vivian Nutt, a disgruntled dollhouse maker turned investigator. Vivian builds dioramas of unsolved murders, only for it to be revealed that she is a serial killer. In Model Killer, I am creating a universe in which I invite the viewer to reconsider female serial killers, the historically feminine craft of miniatures, and murder as entertainment.
In June 2017, I was the recipient of funding from both the Walt Disney Company and the Eugene O’Neill Center for an artist-in-residence as part of the National Puppetry Conference. During the residency, I worked on Model Killer: Giant Crimes & Tiny Cover-Ups and performed the first scene, Model Victims at its culmination.
Continue reading “Walt Disney Co. + Eugene O’Neill Theater Center (support)”
On April 20th, 2017, American Theatre, a publication of Theatre Communications Group announced the 2017 season at the Eugene O’Neill Theater Center, including my artist-in-residence at the National Puppetry Conference. The artist-in-residence was for Model Killer: Giant Crimes & Tiny Cover-Ups, a morbid comedy centered on Vivian Nutt, a disgruntled dollhouse maker turned investigator.
On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson and through support from her production company, Ibex Puppetry. As PSN coordinator for just over a decade, my work focused on cataloguing, connecting, supporting, and generating awareness for evenings of short-form puppetry for adults.
On October 26th, 2015, I performed in Puppet Up! Uncensored for a special private viewing of friends and family on the Charlie Chaplin Sound Stage at the Jim Henson Company Lot in Hollywood, Los Angeles.
On June 29th. 2015, I was awarded the 2015-2016 DCA (Department of Cultural Affairs) COLA (City of Los Angeles) Master Artist Fellowship. The funding supported my work on (In)/Animate Objects, a performative installation I created for the 2016 COLA Fellowship Exhibition at Los Angeles Municipal Art Gallery. In conjunction with the exhibition, I gave an artist-talk hosted by Allison de Fren, was interviewed by LA Times High School Insider, reviewed in Artillery Magazine and included in the COLA20 retrospective book and exhibition.
Continue reading “DCA 2016 COLA Fellowship (support)”
On June 12th and 13th, 2015, I performed The Feeder, a short solo tabletop puppetry piece that explores the unintended consequences of a complicated relationship. The narrative is centered on the surviving partner of a gainer and feeder couple, who is on the run after accidentally feeding his spouse to death. Continue reading “The Feeder, Waterford, CT (performance)”