Whether it’s disintegrating dolls, mutant ceramic bunnies, or rescue animal pinups, the artists of Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz, playfully handcraft responses to mass-produced objects and images charged with autobiographical fragments. Join me on a virtual tour, where we can survey the work for context… Continue reading “How We Got Stuck Together”
From December 10th-20th, “(In)/Animate Objects triptych”, a limited edition photograph, is part of an online auction for Automata, a Los Angeles arts organization dedicated to experimental puppet theater, film, and contemporary art practices. The dolls in the photograph were originally part of (In)/Animate Objects, my installation for the 2016 COLA Fellowship exhibition. Continue reading “(In)/Animate Objects triptych, Automata (online auction)”
On June 16th + 17th, I presented an initial scene from Model Killer: Giant Crimes & Tiny Cover-Ups, as an artist-in-residence at the Eugene O’Neill Theater Center at the culmination of the National Puppetry Conference. Model Killer is a morbid comedy centered on Vivian Nutt, a disgruntled dollhouse maker turned investigator. Vivian builds dioramas of unsolved murders, only for it to be revealed that she is a serial killer. In Model Killer, I am creating a universe in which I invite the viewer to reconsider female serial killers, the historically feminine craft of miniatures, and murder as entertainment.
On April 20th, 2017, American Theatre, a publication of Theatre Communications Group announced the 2017 season at the Eugene O’Neill Theater Center, including my artist-in-residence at the National Puppetry Conference. The artist-in-residence was for Model Killer: Giant Crimes & Tiny Cover-Ups, a morbid comedy centered on Vivian Nutt, a disgruntled dollhouse maker turned investigator.
On June 17th, 2016, I presented a private reading of excerpts from Model Killer: Tiny Crimes and Tiny Coverups at the Eugene O’Neill Theater Center in Waterford, Connecticut. In Model Killer a disgruntled dollhouse-maker-turned-investigator builds dioramas of unsolved murders, only to be discovered that she is in fact a serial killer. The reading occured at the culmination of the 2016 National Puppetry Conference, where I was mentored by Martin Kettling as part of the writing strand.
On May 15th, 2009 I earned my MFA degree from California Institute for the Arts (CalArts) in Scenic Design in the Puppetry track from the Theater School and the Cotsen Center for Puppetry and the Arts. I attended CalArts between 2006-2009 under the mentorship of Janie Geiser and Susan Simpson and developed two major productions, Growing Up Linda and Bride of Wildenstein – The Musical,.