On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson through support from her production company, Ibex Puppetry.Continue reading “A decade of the Puppet Slam Network”
On January 28th, 2013, The Portland Press Herald briefly covered my work with the Puppet Slam Network as part of a larger story on Blainor McGough, curator of King Friday’s Dungeon in Portland, ME.
In the Spring of 2012, The Puppetry Journal ran a substantive cover story on the world of puppet slams, featuring my work as co-founder of The Puppet Slam Network and my interviews with puppet slam artists. The Puppet Slam Network fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment. Continue reading “The Puppetry Journal (Press)”
In the fall of 2011, I started a series of informational posts on the Puppet Slam Network website about organizing evenings of short-form puppetry and object theatre for adults.Continue reading “Puppet Slam Network: Informational Posts”
On May 15th, 2009 I earned my MFA degree from California Institute for the Arts (CalArts) in Scenic Design in the Puppetry track from the Theater School and the Cotsen Center for Puppetry and the Arts. I attended CalArts between 2006-2009 under the mentorship of Janie Geiser and Susan Simpson and developed two major productions, Growing Up Linda and Bride of Wildenstein – The Musical,.
From May 7th to May 9th, 2009, I presented a workshop of Bride of Wildenstein – The Musical at CalArts in Valencia, CA.Continue reading “Bride of Wildenstein (Workshop)”
From May 7th-10th 2008, The Cotsen Center for Puppetry and the Arts and CalArts School of Theater presented a full workshop of Growing Up Linda in Valencia, California,Continue reading “Growing Up Linda, Valencia, (workshop)”
In 2008, I was the recipient of funding from the Office of the President at California Institute for the Arts for the workshop of Growing Up Linda and premiere at Venue 13 in Edinburgh.Continue reading “CalArts, Office of the President (support)”
In January 2008, I co-taught Pop Goes The World, a class on pop-ups and paper engineering with scenic artist, Caitlin Lainoff at California Institute of the Arts (CalArts). The class was part of the Theater School’s three week interim session between semesters. For this session I was particularly interested in exploring pop-ups and three dimensional paper engineering for theatrical experiences.