A decade of the Puppet Slam Network (curatorial)

Marsian-PSN-Slide

On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson and through support from her production company, Ibex Puppetry.  As PSN coordinator for just over a decade, my work focused on cataloguing, connecting, supporting, and generating awareness for evenings of short-form puppetry for adults.  

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Portland Press Herald, (Puppet Slam Network)

On January 28th, 2013, The Portland Press Herald briefly covered my work with the Puppet Slam Network as part of a larger story on Blainor McGough, curator of King Friday’s Dungeon in Portland, ME.

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The Puppetry Journal (Press)

In the Spring of 2012, The Puppetry Journal ran a substantive cover story on the world of puppet slams, featuring my work as co-founder of The Puppet Slam Network and my interviews with puppet slam artists. The Puppet Slam Network fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment.   Continue reading “The Puppetry Journal (Press)”

Puppet Slam Network (blog)

On September 2011 – I began a series of informational blog posts on the Puppet Slam Network website that addressed topics related to organizing evenings of short-form puppetry and object theatre for adults. Topics included: the significance of puppet slams, puppet slam history, the future of slams, sources of inspiration, working with a fiscal recipient, learning from fabulous failures,  advice on hosting and performing in slams, self promotion, and how to get the most out of the Puppet Slam Network.

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Web of Mystery, San Diego, (performance)

 

On July 29th, 2011 I performed Web of Mystery at the Warehouse (a secret location) in San Diego where Animal Cracker Conspiracy held it’s Adult Puppet Cabaret. In Web of Mystery, a spider dances with it’s puppeteers before overtaking one of them. Melissa Dunphy composed original music.

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Wake Up Your Weird, Waterford, CT (performance)

In June 2011, I was the recipient of the Connecticut Guild of Puppetry Scholarship to participate in the the National Puppetry Conference at the Eugene O’Neill Theater Center in Waterford, CT. While at the Eugene O’Neill Theater Center I worked on Web of Mystery,  in which a spider dances with it’s puppeteers before overtaking one of them, and as an assistant puppeteer on Leslie Cararra-Rudolph’s Wake Up Your Weird, in which a candy obsessed five year old must process her feelings after getting bullied out of a play date.

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Connecticut Guild of Puppetry – 2011 (funding)

In June 2011, I was the recipient of the Connecticut Guild of Puppetry Scholarship to participate in the the National Puppetry Conference at the Eugene O’Neill Theater Center in Waterford, CT. While at the Eugene O’Neill Theater Center I worked on Web of Mystery,  in which a spider dances with it’s puppeteers before overtaking one of them, and as an assistant puppeteer on Leslie Cararra-Rudolph’s Wake Up Your Weird, in which a candy obsessed five year old must process her feelings after getting bullied out of a play date.

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Puppetry International – The North American Puppet Slam Scene in 2010 (press)

Puppetry International Fall/Winter 2010
Puppetry International Fall/Winter 2010

In the “The North American Puppet Slam Scene in  2010”, I was interviewed by Teresa Smalec for Puppetry International on my work as a curator of short-form puppetry for adults and in my role as co-founder of the Puppet Slam Network.

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CJOB, Winnipeg (Puppet Slam Network Press)

On July 7th, 2010, Dan Walechuck appeared on CJOB (Winnipeg) to talk about The Puppet Slam Network and the Winnipeg Puppet Slam, (which I performed in). The Puppet Slam Network, which I co-founded with Heather Henson, fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment.  

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