Homecoming Queen’s Got a Gun 2017 (puppet design)

October 13th-21st, 2017, Julie Brown’s Homecoming Queen’s Got a Gun – The Musical, in which I designed a puppet opened at the Cavern Club Theater in Los Angeles for fourth run.

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A decade of the Puppet Slam Network

Jen Lynn, photo: Doug Wong

On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson through support from her production company, Ibex Puppetry.  

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The Curious Life and Mysterious Death of Pippin Roe (update)

Pippin-1994-06-2
1994, Pippin Roe

On July 19th 2014, I learned that my longtime friend, artist, and collaborator, Pippin Roe, had died.  Weeks later, I was again hit with shocking news that Pippin’s death was likely the result of murder.  The following January, a reporter writing a piece on Pippin contacted me through social media.  At first I was skeptical, but it wasn’t long before I realized she was diligent digging through hard-to-find clues on a case that had been largely ignored by the media and didn’t seem like a priority for authorities. The story, publish on January 22, 2015, went beyond tragic circumstances surrounding Pippin’s death, speaking to her life and artistic work – much of which was featured in the article.

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Homecoming Queen’s Got a Musical 2015 (puppet design)

January 24th, 2015, I performed in and designed puppets for Julie Brown’s Homecoming Queen’s Got a Musical at the Brava Theater in San Francisco for its third run.

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Portland Press Herald, (Puppet Slam Network)

On January 28th, 2013, The Portland Press Herald briefly covered my work with the Puppet Slam Network as part of a larger story on Blainor McGough, curator of King Friday’s Dungeon in Portland, ME.

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The Puppetry Journal (Press)

In the Spring of 2012, The Puppetry Journal ran a substantive cover story on the world of puppet slams, featuring my work as co-founder of The Puppet Slam Network and my interviews with puppet slam artists. The Puppet Slam Network fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment.   Continue reading “The Puppetry Journal (Press)”

Puppet Slam Network: Informational Posts

In the fall of 2011, I started a series of informational posts on the Puppet Slam Network website about organizing evenings of short-form puppetry and object theatre for adults.

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CJOB, Winnipeg

On July 7th, 2010, Dan Walechuck appeared on CJOB (Winnipeg) to talk about The Puppet Slam Network and the Winnipeg Puppet Slam, in which I performed Fudgie’s Death, a segment from Growing Up Linda

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