On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson and through support from her production company, Ibex Puppetry. As PSN coordinator for just over a decade, my work focused on cataloguing, connecting, supporting, and generating awareness for evenings of short-form puppetry for adults.
Continue reading “A decade of the Puppet Slam Network (curatorial)”
On January 28th, 2013, The Portland Press Herald briefly covered my work with the Puppet Slam Network as part of a larger story on Blainor McGough, curator of King Friday’s Dungeon in Portland, ME.
Continue reading “Portland Press Herald, (Puppet Slam Network)”
In the Spring of 2012, The Puppetry Journal ran a substantive cover story on the world of puppet slams, featuring my work as co-founder of The Puppet Slam Network and my interviews with puppet slam artists. The Puppet Slam Network fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment. Continue reading “The Puppetry Journal (Press)”
On September 2011 – I began a series of informational blog posts on the Puppet Slam Network website that addressed topics related to organizing evenings of short-form puppetry and object theatre for adults. Topics included: the significance of puppet slams, puppet slam history, the future of slams, sources of inspiration, working with a fiscal recipient, learning from fabulous failures, advice on hosting and performing in slams, self promotion, and how to get the most out of the Puppet Slam Network.
Continue reading “Puppet Slam Network (blog)”
On July 7th, 2010, Dan Walechuck appeared on CJOB (Winnipeg) to talk about The Puppet Slam Network and the Winnipeg Puppet Slam, (which I performed in). The Puppet Slam Network, which I co-founded with Heather Henson, fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment.
Continue reading “CJOB, Winnipeg (Puppet Slam Network Press)”
In June 2010, I was the recipient of the Connecticut Guild of Puppetry Scholarship to participate in the the National Puppetry Conference at the Eugene O’Neill Theater Center in Waterford, CT. While at the Eugene O’Neill Theater Center I worked on Dawn of the Apocalypse in which I portrayed an anthropomorphized oil spill, I performed puppets in Calling Occupants of Interplanetary Craft, (a puppet film directed by Tim Lagasse and Martin Robinson), Fudgie’s Death at Blue Gene’s Pub, and Paul McGuiness’ table-top puppetry piece on split focus. While there I also hosted a puppet slam summit with Puppet Slam Network curators from around the country.
Continue reading “Matt Rineveld Memorial Fund (support)”
On July 20th, 2007 I presented Puppet Slam Nation, a version of The New American Vaudeville, as a workshop with Heather Henson at Condordia University as part of the National Puppetry Festival. I contextualized evenings of short-form puppet and object theater for adult audiences in intimate settings. Puppet Slam Nation was also an opportunity for puppet slam curators and artists from around the country to exchange information and ideas. Continue reading “Puppet Slam Nation, St. Paul, MN (panel)”
In July 2007, I was awarded the Emma Louise Warfield Memorial Scholarship to attend the National Puppetry Festival in St. Paul, MN. While at the festival I hosted Puppet Slam Nation at Concordia University, a version of my New American Vaudeville presentation for the Puppet Slam Network.
Continue reading “Emma Louise Warfield Memorial (support)”