Whether it’s disintegrating dolls, mutant ceramic bunnies, or rescue animal pinups, the artists of Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz, playfully handcraft responses to mass-produced objects and images charged with autobiographical fragments. Join me on a virtual tour, where we can survey the work for context… Continue reading “How We Got Stuck Together”
On March 29, 2019, 24700, News from California Institute of the Arts featured my D+R Residency at Automata for Model Killer in their blog article by Katie Dunham.
Continue reading “24700 Blog (press)”
On November 2, 2018, Jacki Apple wrote Love Lost and the Enchantment of Objects, a critical essay on my performance, Object of Her Affection, for Fabrik in her column, Peripheral Visions: Perspectives on Performance, Media and Culture.
Continue reading “Love Lost and the Enchantment of Objects by Jacki Apple (essay)”
On January 29, 2018, I was at the ACE Hotel for LA STAGE Alliance’s Ovation Awards as a finalist for Center Theatre Group’s Sherwood Award along with Hana Kim and Gina Young. The Sherwood Award for emerging theatre artists is awarded each year to an innovative and adventurous Los Angeles-based theatre artist of promise.
I am currently raising funds for the next iterations of Object of Her Affection and Model Killer: Giant Crimes & Tiny Cover-Ups. If you’d like to support my work you can make tax-deductible contributions through Fractured Atlas: https://shar.es/1N035T
Today, the Center Theatre Group announced three finalists in the Richard E. Sherwood Award, which included Gina Young and Hana Kim, and myself.
From to June 3rd-10th, 2017, video documentation from my performance, Raggedy Ann to Real Doll was on display at Los Angeles Contemporary Exhibitions as part of Irrational Exhibits 10th Anniversary: Mapping the Divide, curated and produced by Deborah Oliver. In Raggedy Ann to Real Doll, I constructed a storefront operating theater at LACE as one of America’s most beloved dolls went under the knife. I examined how we negotiate our idea of personal identity in an ever-shifting landscape of technologies that can drastically alter and re-map the body. Projected video and the remote voyeurism from a live stream provided multiple onsite and virtual opportunities for spectatorship.
Continue reading “Raggedy Ann to Real Doll 2017, Los Angeles (video installation)”
The weekend of October 15th, 2016, I performed The Feeder, a short tabletop puppetry piece about a man on the run after accidentally feeding his wife to death at The Echo Theatre in Portland, OR. There were two shows: Saturday, October 15th and Sunday October 16th as part of Beady Little Eyes Puppet Slam.
On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson and through support from her production company, Ibex Puppetry. As PSN coordinator for just over a decade, my work focused on cataloguing, connecting, supporting, and generating awareness for evenings of short-form puppetry for adults.
Continue reading “A decade of the Puppet Slam Network (curatorial)”
On June 17th, 2016, I presented a private reading of excerpts from Model Killer: Tiny Crimes and Tiny Coverups at the Eugene O’Neill Theater Center in Waterford, Connecticut. In Model Killer a disgruntled dollhouse-maker-turned-investigator builds dioramas of unsolved murders, only to be discovered that she is in fact a serial killer. The reading occured at the culmination of the 2016 National Puppetry Conference, where I was mentored by Martin Kettling as part of the writing strand.
Continue reading “Model Killer – 2016, Waterford, CT (private reading)”