In the run up to Object of Her Affection, I’m answering some frequently asked questions about the performance and subject matter.
Object of Her Affection – Kickstarter Update:
2 days and already halfway there!
Just 2 days ago in the middle of the night, I launched a Kickstarter for a 3-week run of Object of Her Affection at Automata in Los Angeles as part of LAX Festival. Object of Her Affection is an object and puppet-based performance centered on a woman, who in her search for true love, develops intimate relationships with inanimate objects.
On January 29, 2018, I was at the ACE Hotel for LA STAGE Alliance’s Ovation Awards as a finalist for Center Theatre Group’s Sherwood Award along with Hana Kim and Gina Young. The Sherwood Award for emerging theatre artists is awarded each year to an innovative and adventurous Los Angeles-based theatre artist of promise.
Julie Brown‘s Homecoming Queen’s Got a Gun – The Musical in which I designed a humanette puppet used by Drew Droege opened for another run in Los Angeles at the Cavern Club Theater October 13th-21st, 2017. Continue reading “Homecoming Queen’s Got a Gun (puppet design)”
In June 2017, I workshopped the beginnings of my script-in-progress Model Killer: Giant Crimes & Tiny Cover-Ups as an artist-in-residence at the Eugene O’Neill Theater Center – with performances on Friday, June 16th and Saturday, June 17th at the culmination of the National Puppetry Conference. Model Killer: Giant Crimes & Tiny Cover-Ups is a morbid comedy centered on a disgruntled dollhouse maker turned investigator. Vivian Nutt builds dioramas of unsolved murders only for it to be revealed that she is a serial killer. Continue reading “Model Killer, Waterford, CT (residency)”
The weekend of October 15th, 2016, I performed The Feeder, a short tabletop puppetry piece about a man on the run after accidentally feeding his wife to death at The Echo Theatre in Portland, OR. There were two shows: Saturday, October 15th and Sunday October 16th as part of Beady Little Eyes Puppet Slam.
On August 31st, 2015, I wrote Why Puppetry? Musings of a Solo Puppet Artist on HowlRound for their week on American puppetry.
On June 12th and 13th, 2015, I performed The Feeder, a short solo tabletop puppetry piece that explores the unintended consequences of a complicated relationship. The narrative is centered on the surviving partner of a gainer and feeder couple, who is on the run after accidentally feeding his spouse to death. Continue reading “The Feeder, Waterford, CT (performance)”
If you are in San Francisco in January, please join me for Julie Brown’s Homecoming Queen’s Got a Musical, a musical adaptation of Homecoming Queen’s Got a Gun, which I will be performing in and have designed a puppet for! Performances will be January 24th in San Francisco at Sketchfest.
A review by Malcolm Jack in the Scotsman, characterized Growing Up Linda’s run at the 2008 Edinburgh Fringe as “colorful, elaborate, nightmarish”.