In the run up to Object of Her Affection, I’m answering some frequently asked questions about the performance and subject matter.
Continue reading “Object of Her Affection – FAQs”
Thursday, March 28th at 8PM I performed “The Feeder”, centered on a gainer-feeder relationship gone wrong at Dynasty Typewriter in Los Angeles.
Continue reading “The Feeder, LA (performance)”
On January 29, 2018, I attended the LA STAGE Alliance’s Ovation Awards as a finalist for Center Theatre Group’s Sherwood Award along with Hana Kim and Gina Young.
Continue reading “LA Ovation Awards”
In June 2017, I workshopped the beginnings of my script-in-progress Model Killer: Giant Crimes & Tiny Cover-Ups as an artist-in-residence at the Eugene O’Neill Theater Center.
Continue reading “Model Killer, Waterford, CT (residency)”
On August 31st, 2015, HowlRound published Why Puppetry? Musings of a Solo Puppet Artist, an essay I wrote for their week on American puppetry.
Continue reading “Howlround: Why Puppetry?”
A review by Malcolm Jack in the Scotsman, characterized Growing Up Linda’s run at the 2008 Edinburgh Fringe as “colorful, elaborate, nightmarish”.
Continue reading “The Scotsman (review)”