In the run up to Object of Her Affection, I’m answering some frequently asked questions about the performance and subject matter.
On January 29, 2018, I was at the ACE Hotel for LA STAGE Alliance’s Ovation Awards as a finalist for Center Theatre Group’s Sherwood Award along with Hana Kim and Gina Young. The Sherwood Award for emerging theatre artists is awarded each year to an innovative and adventurous Los Angeles-based theatre artist of promise.
In June 2017, I workshopped the beginnings of my script-in-progress Model Killer: Giant Crimes & Tiny Cover-Ups as an artist-in-residence at the Eugene O’Neill Theater Center – with performances on Friday, June 16th and Saturday, June 17th at the culmination of the National Puppetry Conference. Model Killer: Giant Crimes & Tiny Cover-Ups is a morbid comedy centered on a disgruntled dollhouse maker turned investigator. Vivian Nutt builds dioramas of unsolved murders only for it to be revealed that she is a serial killer. Continue reading “Model Killer, Waterford, CT (residency)”
On August 31st, 2015, I wrote Why Puppetry? Musings of a Solo Puppet Artist on HowlRound for their week on American puppetry.
A review by Malcolm Jack in the Scotsman, characterized Growing Up Linda’s run at the 2008 Edinburgh Fringe as “colorful, elaborate, nightmarish”.