In the run up to Object of Her Affection, I’m answering some frequently asked questions about the performance and subject matter.
On December 7th, 2017, Center Theatre Group interviewed Gina Young, Hana Kim, and myself as finalists for the 2018 Sherwood Award about our art/lives in L.A. Read the full story on the Center Theatre Group Blog. Continue reading “2018 Sherwood Award Finalists Interview (CTG Blog)”
Today, the Center Theatre Group announced three finalists in the Richard E. Sherwood Award, which included Gina Young and Hana Kim, and myself.
In 2015, I was the recipient of a Project Grant from the Jim Henson Foundation to support Object of Her Affection.
Object of Her Affection is an unconventional love story centered on a woman who desires intimate relationships with inanimate objects and her search for love that is just beyond her reach. As a visual narrative about flesh and blood human beings developing relationships with things, Object of Her Affection explores the duality of objects as (in)/animate: animate and sentient through the eyes of the protagonist, Andrea, while the same objects appear inanimate to most. Creator, Marsian De Lellis will perform Object Of Her Affection under the direction of Michele Spears, with theatrical elements that stretch definitions of puppetry, and subject matter that complicates the categorization of sexual identity.
You can read about the 2015 Jim Henson Foundation Recipients here.
On September 18th, 2006, Kate Bornstein appeared on the Chicago-based LGBTQ comedy podcast, Feast of Fun Podcast #390 – A Fate Better Than Death, to discuss their book, Hello Cruel World: 101 Alternatives to Suicide for Teens, Freaks and Other Outlaws. In talking with Fausto Ferños and Marc Felion, they briefly discussed my performance work.
“Marsian hails back to a long tradition of artistic fools, who twist the culture around well beyond the regular artistic way of twisting culture around to a point of impossibility and absurdity that makes you rethink all of reality”
-Kate Bornstein Continue reading “Kate Bornstein, Feast of Fun (podcast)”
March 31st, 1996, I performed in Sound Mind – Sound Body, a sound performance that explored the technology of the body, the machine and the spaces in between at N.A.M.E. Gallery with support from the Experimental Sound Studio in Chicago.
In the Spring of 1995, I was one of the performers who activated Ann Hamilton‘s installation, volumen. volumen was part of the exhibition About Place – Recent Art of the Americas at the Art Institute of Chicago. The contemporary art in “About Place” focused on the work of sixteen artists from Canada, Latin America, and the United States for whom the concept of “place” (cultural, social, geographic, or political) was of paramount importance.