How We Got Stuck Together

Detail from (In)/Animate Objects Panel #1, 2019,  photo: Track 16

Whether it’s disintegrating dolls, mutant ceramic bunnies, or rescue animal pinups, the artists of Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz, playfully handcraft responses to mass-produced objects and images charged with autobiographical fragments. Join me on a virtual tour, where we can survey the work for context… Continue reading “How We Got Stuck Together”

Love Lost and the Enchantment of Objects by Jacki Apple (essay)

On November 2, 2018, Jacki Apple wrote Love Lost and the Enchantment of Objects, a critical essay on my performance, Object of Her Affection, for Fabrik in her column, Peripheral Visions: Perspectives on Performance, Media and Culture.

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Los Angeles Downtown News (Los Angeles)

On October 8, 2018, Downtown News featured Object of Her Affection in their ‘Don’t Miss’ List.

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Object of Her Affection – FAQs

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2018, photo: Jane Pickett

In the run up to Object of Her Affection, I’m answering some frequently asked questions about the performance and subject matter.

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(In)/Animate Objects triptych, Automata

(In)/Animate Objects triptych, 32"x13.16", 2017, Marsian De Lellis
(In)/Animate Objects triptych, 32″x13.16″, limited edition archival print, 2016

From December 10th-20th, “(In)/Animate Objects triptych”a limited edition photograph, was part of an auction for Automata.

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2018 Sherwood Award Finalists Interview (CTG Blog)

IMG_4221 Gina Young,  Hana Kim, and Marsian De Lellis at Center Theatre Group, Los Angeles, 2017, Photo: Ryan Miller/Capture Imaging Sherwood
Gina Young,  Hana Kim, and Marsian De Lellis at Center Theatre Group, Los Angeles, 2017, Photo: Ryan Miller / Capture Imaging Sherwood

On December 7th, 2017, Center Theatre Group interviewed Gina Young, Hana Kim, and myself as finalists for the 2018 Sherwood Award about our art/lives in L.A. Read the full story on the Center Theatre Group Blog.

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2015 Jim Henson Foundation Grant (support)

Photo: Rafael Hernandez

In 2015, Object of Her Affection was the recipient of a Project Grant from the Jim Henson Foundation.

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