Automata – hausofmarsian

24700 Automata Residency

Posted on July 7, 2020February 4, 2022 by hausofmarsian in Acting, Art, Automata, Comedy, Cut Outs, Design, Dollhouses, Dolls, Drama, Fabrication, Figurines, Gallery, Installation, Los Angeles, Marsian De Lellis, Model Killer, Munchausen by proxy, Object Theatre, Performance, Performance Art, performing objects, Puppetry, Puppets, Serial Killers, Susan Simpson, Table Top Puppetry, Theater, Toy Theatre, Violence, Written

On July 9th, 2020, 24700, news from California Institute for the Arts blog announced my individual artist residency Automata to develop Model Killer: Giant Crimes + Tiny Cover-ups.

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Automata Residency Announcement

Posted on June 28, 2020February 3, 2022 by hausofmarsian in Automata, Dollhouses, Dolls, Janie Geiser, Marsian De Lellis, Model Killer, Susan Simpson

still from *Automata: Selections from the Accidental Collection*

During the COVID-19 Pandemic, Automata awarded me a three week individual artist residency at its space in the Chinatown arts district of Los Angeles where I worked on the development of Model Killer.

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How We Got Stuck Together

Posted on April 8, 2019May 22, 2022 by hausofmarsian in (In)/Animate Objects, Acting, Animism, Art, Artist Talk, Automata, Biopic, Comedy, Debra Broz, Design, Dollhouses, Dolls, Fabrication, Figurines, Gallery, Installation, LA, Los Angeles, Los Angeles Department of Cultural Affairs (DCA), Marsian De Lellis, Miniatures, Model Killer, Object of Her Affection, Object Sexuality, Object Sexuals, Object Theatre, Object/Fetish, Performance, Performance Art, performing objects, Puppetry, Puppets, REDCAT, Serial Killers, Table Top Puppetry, Theater, Track 16, Violence

**Detail from *(In)/Animate Objects Panel #1*, 2019, photo: Track 16**

Whether it’s disintegrating dolls, mutant ceramic bunnies, or rescue animal pinups, the artists of Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz, playfully handcraft responses to mass-produced objects and images charged with autobiographical fragments. Join me on a virtual tour, where we can survey the work for context… Continue reading “How We Got Stuck Together” →

24700 (Blog)

Posted on March 29, 2019July 15, 2019 by hausofmarsian in (In)/Animate Objects, Acting, Art, Automata, Biopic, CalArts, Comedy, Design, Dollhouses, Dolls, Drama, Fabrication, Figurines, Gallery, Installation, Janie Geiser, LA, Los Angeles, Marsian De Lellis, Model Killer, National Puppetry Conference, Object Theatre, Performance, Performance Art, performing objects, Press, Puppetry, Puppets, Sculpture, Serial Killers, Susan Simpson, Table Top Puppetry, Theater, Toy Theatre, Track 16, Violence

On March 29, 2019, 24700, News from California Institute of the Arts featured my D+R Residency at Automata for Model Killer in their blog article by Katie Dunham.

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Love Lost and the Enchantment of Objects by Jacki Apple (essay)

Posted on November 2, 2018July 15, 2019 by hausofmarsian in (In)/Animate Objects, Acting, Animism, Art, Automata, Comedy, Design, Dolls, Drama, Fabrication, Gallery, Jim Henson Foundation, LGBT, Los Angeles, Marsian De Lellis, Michele Spears, Object of Her Affection, Object Sexuality, Object Sexuals, Object Theatre, Performance, Performance Art, performing objects, Photographs, Press, Puppetry, Puppets, Table Top Puppetry, The Jim Henson Foundation, Theater, Written

On November 2, 2018, Jacki Apple wrote Love Lost and the Enchantment of Objects, a critical essay on my performance, Object of Her Affection, for Fabrik in her column, Peripheral Visions: Perspectives on Performance, Media and Culture.

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Los Angeles Downtown News (Los Angeles)

Posted on October 8, 2018August 22, 2019 by hausofmarsian in (In)/Animate Objects, Automata, Los Angeles, Marsian De Lellis, Object of Her Affection, Object Sexuality, Object Sexuals, Object Theatre, Object/Fetish, performing objects, Puppetry, Puppets, Table Top Puppetry

On October 8, 2018, Downtown News featured Object of Her Affection in their ‘Don’t Miss’ List.

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Flashback Friday

Posted on August 31, 2018August 18, 2019 by hausofmarsian in (In)/Animate Objects, Animism, Artist Talk, Automata, Eugene O'Neill Theater Center, Los Angeles, Marsian De Lellis

In organizing the Kickstarter campaign for Object of Her Affection, I’ve been reflecting on the inspiration that led to the performance. I’ve been developing the ideas behind Object of Her Affection for a while: Back in 2010 – my wheels started spinning when I stumbled upon footage of a woman who wanted to marry an amusement park ride.

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Security Blanket

Posted on August 30, 2018August 21, 2019 by hausofmarsian in Automata, Marsian De Lellis, Object of Her Affection, Puppetry, Puppets, Table Top Puppetry

IMG_3162-blankey-16x9-150dpi Blankey 16x9

Kickstarter Update: Just 2 days ago in the middle of the night, I launched a Kickstarter for a 3-week run of Object of Her Affection at Automata in Los Angeles as part of LAX Festival.

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Foundation for Contemporary Arts (support)

Posted on August 14, 2018December 27, 2019 by hausofmarsian in Acting, Anna Sosenko Assist Trust, Automata, CCI Center for Cultural Innovation, Chris Sheets, Christine Papalexis, Fabrication, Figurines, Janie Geiser, Jim Henson Foundation, LA, Live Feed, Los Angeles, Marsian De Lellis, Michele Spears, NYC, Object of Her Affection, Object Sexuality, Object Sexuals, Object Theatre, Performance, Performance Art, performing objects, Puppetry, Puppets, Susan Simpson, Table Top Puppetry, The Foundation for Contemporary Arts, The Jim Henson Foundation, Theater

On August 14, 2018, Object of Her Affection and its performances at Automata as part of LAX Festival became the recipient of The Foundation for Contemporary Arts Emergency Grant.

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A decade of the Puppet Slam Network

Posted on September 2, 2016August 17, 2019 by hausofmarsian in (CAOS) Calgary Animated Object Society, 14Karat Cabaret, Acting, Animal Cracker Conspiracy, Art, Atlanta, Automata, Baltimore, Biopic, Blood from a Turnip, Boston, Brookline, Brooklyn, CalArts, Calgary, cantastoria, Chicago, Christine Papalexis, Comedy, Curatorial, Cut Outs, Dance, Design, Dolls, Drama, Fabrication, Figurines, Film, Gallery, Great Arizona Puppet Theater, Great Small Works, Heather Henson, Ibex Puppetry, Improv, Installation, International Festival of Animated Objects, interview, Janie Geiser, John Bell, Judson Church, LA, Lantern Church, Links Hall, Live Feed, Los Angeles, Mad Cow Theatre, Marionettes, Marsian De Lellis, Musical, National Puppetry Festival, NYC, Object Theatre, Olympia, Orlando, Orlando Puppet Festival, Park Theater, Performance, Performance Art, performing objects, Perishable Theatre, Phoenix, Press, Providence, Puppet Showplace Theater, Puppet Slam Network, Puppeteers of America, Puppetry, Puppets, Revolving Museum, San Diego, San Francisco, Seattle, WA, Space Ark, Spoken Word, St. Ann's Warehouse, Surrealism, Susan Simpson, Table Top Puppetry, Theater, Theatre for the New City, Tim Lagasse, Toy Theatre, Transmodern Festival, Uconn, Valencia, Vanessa Gilbert, Video, Winnipeg, Xstine Cook

On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson through support from her production company, Ibex Puppetry.

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