On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson and through support from her production company, Ibex Puppetry. As PSN coordinator for just over a decade, my work focused on cataloguing, connecting, supporting, and generating awareness for evenings of short-form puppetry for adults.
On June 3rd, 2014, I was awarded funding from the Anna Sosenko Assist Trust for the Los Angeles workshops of Object of Her Affection at Automata and at REDCAT for the New Original Works Festival. Object of Her Affection is a solo puppetry and object performance art piece centered on a woman, who in her search for true love develops intimate relationships with inanimate objects. The funds from the Anna Sosenko Assist Trust went towards developing the sound design and music.
On December 16th, 2013, I was awarded a Jim Henson Foundation Seed Grant for Object of Her Affection. Object of Her Affection is a solo puppetry and object performance art piece centered on a woman, who in her search for true love develops intimate relationships with inanimate objects.
On August 11th, 2013, Automata hosted a private reading of my script, Object of Her Affection, for invited guests. Object of Her Affection is centered on a woman, who in her search for true love develops intimate relationships with inanimate objects.
On Friday November 30th and Saturday December 1st, 2012, I presented a reading of Ashes to Ashes, Rust to Rust, an excerpt from Object of Her Affectionat Automata in Los Angeles. In Ashes to Ashes, Rust to Rust, a woman who desires intimate relationships with inanimate objects discovers that the bridge she has come to love has been cheating on her.
On September 2011 – I began a series of informational blog posts on the Puppet Slam Network website that addressed topics related to organizing evenings of short-form puppetry and object theatre for adults. Topics included: the significance of puppet slams, puppet slam history, the future of slams, sources of inspiration, working with a fiscal recipient, learning from fabulous failures, advice on hosting and performing in slams, self promotion, and how to get the most out of the Puppet Slam Network.
In the “The North American Puppet Slam Scene in 2010”, I was interviewed by Teresa Smalec for Puppetry International on my work as a curator of short-form puppetry for adults and in my role as co-founder of the Puppet Slam Network.
On July 7th, 2010, Dan Walechuck appeared on CJOB (Winnipeg) to talk about The Puppet Slam Network and the Winnipeg Puppet Slam, (which I performed in). The Puppet Slam Network, which I co-founded with Heather Henson, fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment.