I first became aware of Simone Gad running into her at art openings where she was often accompanied by Sheree Rose. I heard that Simone was a former child actor and outsider artist, but didn’t know her all that well. That all changed one day when Sean Meredith suggested we partner for an exhibition at Track 16.Continue reading “Simone Gad (1947-2021)”
On June 16th + 17th, I presented an initial scene from Model Killer: Giant Crimes & Tiny Cover-Ups, as an artist-in-residence at the Eugene O’Neill Theater Center at the culmination of the National Puppetry Conference. Model Killer is a morbid comedy centered on Vivian Nutt, a disgruntled dollhouse maker turned investigator. Vivian builds dioramas of unsolved murders, only for it to be revealed that she is a serial killer. In Model Killer, I am creating a universe in which I invite the viewer to reconsider female serial killers, the historically feminine craft of miniatures, and murder as entertainment.Continue reading “Model Killer – Model Victims, Waterford, CT (workshop performance)”
From to June 3rd-10th, 2017, video documentation from my performance, Raggedy Ann to Real Doll was on display at Los Angeles Contemporary Exhibitions as part of Irrational Exhibits.Continue reading “Raggedy Ann to Real Doll 2017, Los Angeles (video installation)”
On July 9th and 10th, 2011, I performed Web of Mystery at Rachel Rosenthal Company in Culver City, Los Angeles. In Web of Mystery, a spider dances with it’s puppeteers before overtaking one of them. Melissa Dunphy composed original music.
From May 21-24, 2009, I was a puppeteer, puppet fabricator, and kinegram designer for Janie Geiser’s peepshow/diorama performance, Reptile Under the Flowers. Automata and the Museum of Jurassic Technology co-presented 45 performances of Reptile Under the Flowers for small groups over the course of 4 days at the The Foshay Masonic Lodge in Culver City, Los Angeles.