On June 16th + 17th, I presented an initial scene from Model Killer: Giant Crimes & Tiny Cover-Ups, as an artist-in-residence at the Eugene O’Neill Theater Center at the culmination of the National Puppetry Conference. Model Killer is a morbid comedy centered on Vivian Nutt, a disgruntled dollhouse maker turned investigator. Vivian builds dioramas of unsolved murders, only for it to be revealed that she is a serial killer. In Model Killer, I am creating a universe in which I invite the viewer to reconsider female serial killers, the historically feminine craft of miniatures, and murder as entertainment.
On April 20th, 2017, American Theatre, a publication of Theatre Communications Group announced the 2017 season at the Eugene O’Neill Theater Center, including my artist-in-residence at the National Puppetry Conference. The artist-in-residence was for Model Killer: Giant Crimes & Tiny Cover-Ups, a morbid comedy centered on Vivian Nutt, a disgruntled dollhouse maker turned investigator.
On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson and through support from her production company, Ibex Puppetry. As PSN coordinator for just over a decade, my work focused on cataloguing, connecting, supporting, and generating awareness for evenings of short-form puppetry for adults.
On January 28th, 2013, The Portland Press Herald briefly covered my work with the Puppet Slam Network as part of a larger story on Blainor McGough, curator of King Friday’s Dungeon in Portland, ME.
In the Spring of 2012, The Puppetry Journal ran a substantive cover story on the world of puppet slams, featuring my work as co-founder of The Puppet Slam Network and my interviews with puppet slam artists. The Puppet Slam Network fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment. Continue reading “The Puppetry Journal (Press)”
On December 14, 2011, Baltimore’s City Paper included me in their Top Ten – The Year In Art, characterizing my work at the Transmodern Festival as “..a whole slew of WTF”.
On September 2011 – I began a series of informational blog posts on the Puppet Slam Network website that addressed topics related to organizing evenings of short-form puppetry and object theatre for adults. Topics included: the significance of puppet slams, puppet slam history, the future of slams, sources of inspiration, working with a fiscal recipient, learning from fabulous failures, advice on hosting and performing in slams, self promotion, and how to get the most out of the Puppet Slam Network.
On April 27 8-10pm, I presented my Artist Talk at the Maryland Institute College of Art (MICA) in Baltimore for Valeska Populoh’s graduating class in the Fiber Department. While at MICA I spoke about performances like Growing Up Linda and Bride of Wildenstein – The Musical.
This artist talk was made in conjunction with my performance, Fudgie’s Death at the 14Karat Cabaret and my presentation Object/Fetish at a salon/art party in the H&H Arts Building as part of the 2011 Transmodern Festival.
In the “The North American Puppet Slam Scene in 2010”, I was interviewed by Teresa Smalec for Puppetry International on my work as a curator of short-form puppetry for adults and in my role as co-founder of the Puppet Slam Network.
On Saturday, December 4th, 2010, I performed Fudgie’s Death, at Theater at Avalon Island as part of Puppets from the Edge. Produced by Ibex Puppetry, Puppets from The Edge was evening of short form puppetry for adults, which I curated and hosted with Hannah Miller during the 2010 Orlando Puppet Festival.