On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson through support from her production company, Ibex Puppetry.Continue reading “A decade of the Puppet Slam Network”
On January 28th, 2013, The Portland Press Herald briefly covered my work with the Puppet Slam Network as part of a larger story on Blainor McGough, curator of King Friday’s Dungeon in Portland, ME.
In the Spring of 2012, The Puppetry Journal ran a substantive cover story on the world of puppet slams, featuring my work as co-founder of The Puppet Slam Network and my interviews with puppet slam artists. The Puppet Slam Network fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment. Continue reading “The Puppetry Journal (Press)”
In the fall of 2011, I started a series of informational posts on the Puppet Slam Network website about organizing evenings of short-form puppetry and object theatre for adults.Continue reading “Puppet Slam Network: Informational Posts”
On July 1st, 2006, I performed my short marionette dance piece, Rango Tango, at the Revolving Museum in Lowell, MA. The performance was part of a special edition of Blood from a Turnip I hosted with Vanessa Gilbert as part of the Revolving Museum’s Pulling Strings: Traditional and Contemporary Puppetry Exhibit. Rango Tango was choreographed with Philip Huber at the Eugene O’Neill Theater Center as part of the 2006 National Puppetry Conference with funding the Kevin Clash Minority Scholarship.