
On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson through support from her production company, Ibex Puppetry.
Continue reading “A decade of the Puppet Slam Network”On September 2nd, 2016, I finished my tenure at the Puppet Slam Network (PSN), which I co-founded in 2005 with Heather Henson through support from her production company, Ibex Puppetry.
Continue reading “A decade of the Puppet Slam Network”On January 28th, 2013, The Portland Press Herald briefly covered my work with the Puppet Slam Network as part of a larger story on Blainor McGough, curator of King Friday’s Dungeon in Portland, ME.
Continue reading “Portland Press Herald, (Puppet Slam Network)”
In the Spring of 2012, The Puppetry Journal ran a substantive cover story on the world of puppet slams, featuring my work as co-founder of The Puppet Slam Network and my interviews with puppet slam artists. The Puppet Slam Network fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment. Continue reading “The Puppetry Journal (Press)”
In the fall of 2011, I started a series of informational posts on the Puppet Slam Network website about organizing evenings of short-form puppetry and object theatre for adults.
Continue reading “Puppet Slam Network: Informational Posts”On July 7th, 2010, Dan Walechuck appeared on CJOB (Winnipeg) to talk about The Puppet Slam Network and the Winnipeg Puppet Slam, in which I performed Fudgie’s Death, a segment from Growing Up Linda.
Continue reading “CJOB, Winnipeg”On Saturday, September 19th, 2009, I performed “Pump that Pussy”, and excerpt from Bride of Wildenstein – the Musical at The Fall of Puppetry, hosted by PLOP! (Performance Laboratory for Objects and Puppets) in Olympia, curated by Dan Luce.
Continue reading “Bride of Wildenstein, Olympia”In March 2009, I was the recipient of funding from the Student Council at California Institute for the Arts for my workshop production of Bride of Wildenstein – The Musical. In Bride of Wildenstein – The Musical, an aging socialite grows fur and claws to recapture the attention of her philandering game hunter husband.
Continue reading “CalArts – Student Council (support)”On March 6th, 2009, I was the recipient of a Special Project Fund from the Theater School at CalArts for a workshop of Bride of Wildenstein – The Musical.
Continue reading “Special Project Fund – 2009 (support)”On December 9th, 2008, I was the recipient of the Interdisciplinary Project Grant at California Institute for the Arts for my workshop production of Bride of Wildenstein – The Musical.
Continue reading “Interdisciplinary Project Grant – 2009 (support)”On March 9th, 2006 I launched Puppetslam.com, a website that cataloged, connected, supported, and generated awareness for adult evenings of short-form puppetry and what would evolve into the Puppet Slam Network over the next decade.
Continue reading “PuppetSlam.com – soft launch”