On March 6th, 2009, I was the recipient of a Special Project Fund from the Theater School at California Institute for the Arts for the workshop production of Bride of Wildenstein – The Musical. In Bride of Wildenstein – The Musical, an aging socialite grows fur and claws to recapture the attention of her philandering game hunter husband.
After CalArts, I continued to develop Bride of Wildenstein at the Eugene O’Neill Theater Center. I performed excerpts at in Los Angeles at REDCAT, in New York at The Tank, in Olympia at PLOP, in Atlanta at Georgia Tech, and in Phoenix at Great Arizona Puppet Theater. I toured the full production to New Orleans at The Fringe, and Orlando at The Gallery at Avalon Island and Cameo Theatre. I brought Bride of Wildenstein back to Los Angeles where it was co-presented with Automata at the Velaslavasay Panorama with funding from The Durfee Foundation and Ibex Puppetry.
More about The Cotsen Center for Puppetry and Arts from the World Encyclopedia of Puppetry Arts:
[The Cotsen Center for Puppetry and Arts is an] American teaching laboratory for contemporary puppetry and performing objects, a Center within the California Institute of the Arts (CalArts) in Valencia, [CA]. The Cotsen Center for Puppetry and the Arts was founded in 1998. In 2012, the Center’s courses and focus on puppetry were folded into the overall curriculum of the CalArts School of Theater, where puppet and object theatre remain an important focus and a critical interdisciplinary presence within the Institute.
CalArts, situated 30 miles.. from Los Angeles, was founded as an art school generously supported by Walt and Roy O. Disney in 1961. By 1971, the school offered degrees in art, dance, film (animation), and theatre. Housed in the School of Theater, the puppetry program was established in 1998 with the goal of making the most creative developments in contemporary puppetry available to the students across the Institute’s six schools.
The Cotsen Center for Puppetry and the Arts was created to offer a framework for practical training, artistic innovation, aesthetic inquiry and interdisciplinary investigation. In keeping with the evolution of puppetry through the integration of different art forms, CalArts strives to combine puppet theatre with the use of new technologies and emerging forms and practices that cut across traditional boundaries. These principles continue in the newly integrated puppetry courses, which are open to all students from across the Institute. Students can take a single course as an elective, or a series of courses, creating a focus in puppetry, which includes opportunities to create and produce original work..