Portland Press Herald, (Puppet Slam Network)

On January 28th, 2013, The Portland Press Herald briefly covered my work with the Puppet Slam Network as part of a larger story on Blainor McGough, curator of King Friday’s Dungeon in Portland, ME.

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Object of Her Affection – Ashes to Ashes, Rust to Rust, Automata, LA (reading)

Strauss, 2013, ©Marsian De Lellis
Strauss, 2013, ©Marsian De Lellis

On Friday November 30th and Saturday December 1st, 2012,  I presented a reading of Ashes to Ashes, Rust to Rust, an excerpt from Object of Her Affection at Automata in Los Angeles. In Ashes to Ashes, Rust to Rust, a woman who desires intimate relationships with inanimate objects discovers that the bridge she has come to love has been cheating on her.

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Object of Her Affection – Ashes to Ashes, Rust to Rust, Waterford, CT (reading)

Object of Her Affection - Title (replace)

On June 16th, 2012,  I presented a reading of Ashes to Ashes, Rust to Rust, an excerpt from Object of Her Affection at the Eugene O’Neill Theater Center in Waterford, CT. In Ashes to Ashes, Rust to Rust, a woman who desires intimate relationships with inanimate objects discovers that the bridge she has come to love has been cheating on her.

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The Puppetry Journal (Press)

In the Spring of 2012, The Puppetry Journal ran a substantive cover story on the world of puppet slams, featuring my work as co-founder of The Puppet Slam Network and my interviews with puppet slam artists. The Puppet Slam Network fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment.   Continue reading “The Puppetry Journal (Press)”

Puppet Slam Network (blog)

On September 2011 – I began a series of informational blog posts on the Puppet Slam Network website that addressed topics related to organizing evenings of short-form puppetry and object theatre for adults. Topics included: the significance of puppet slams, puppet slam history, the future of slams, sources of inspiration, working with a fiscal recipient, learning from fabulous failures,  advice on hosting and performing in slams, self promotion, and how to get the most out of the Puppet Slam Network.

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Wake Up Your Weird, Waterford, CT (performance)

In June 2011, I was the recipient of the Connecticut Guild of Puppetry Scholarship to participate in the the National Puppetry Conference at the Eugene O’Neill Theater Center in Waterford, CT. While at the Eugene O’Neill Theater Center I worked on Web of Mystery,  in which a spider dances with it’s puppeteers before overtaking one of them, and as an assistant puppeteer on Leslie Cararra-Rudolph’s Wake Up Your Weird, in which a candy obsessed five year old must process her feelings after getting bullied out of a play date.

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Connecticut Guild of Puppetry – 2011 (funding)

In June 2011, I was the recipient of the Connecticut Guild of Puppetry Scholarship to participate in the the National Puppetry Conference at the Eugene O’Neill Theater Center in Waterford, CT. While at the Eugene O’Neill Theater Center I worked on Web of Mystery,  in which a spider dances with it’s puppeteers before overtaking one of them, and as an assistant puppeteer on Leslie Cararra-Rudolph’s Wake Up Your Weird, in which a candy obsessed five year old must process her feelings after getting bullied out of a play date.

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CJOB, Winnipeg (Puppet Slam Network Press)

On July 7th, 2010, Dan Walechuck appeared on CJOB (Winnipeg) to talk about The Puppet Slam Network and the Winnipeg Puppet Slam, (which I performed in). The Puppet Slam Network, which I co-founded with Heather Henson, fostered connections for independently produced puppet cabarets, so that puppet artists knew where they could perform, venues could find puppet artists, and audiences could enjoy an intimate, tactile, and compelling form of entertainment.  

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Growing Up Linda – Fudgie’s Death, Orlando Fringe (Performance)

2010, Photo: K. Basta
2010, Photo: K. Basta

On May 24th, 2010,  I performed Fudgie’s Death at the Orlando Fringe Festival. Fudgie’s Death was a neo-noir segment from Growing Up Linda in which the daughter of a famous ice cream mogul must come to terms with her troubled past. In Fudgie’s Death, I transformed table-top pop-up books into full-screen cinema. There were 3 Shows between May 24th, 2010 – May 28th, 2010.

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Flavorpill, Los Angeles (press)

In January 2010, Flavorpill described Bride of Wildenstein – The Musical  in it write up as “demented, touching and inherently strange”

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