Automata Residency Announcement

still from Automata: Selections from the Accidental Collection

During the COVID-19 Pandemic, Automata awarded me a three week individual artist residency at its space in the Chinatown arts district of Los Angeles where I worked on the development of Model Killer.

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Model Killer, American Puppetry Today, The Photography of Richard Termine, Charleville-Mézières

From September 20th-29th, 2019, a photograph from Model Killer will be part of American Puppetry Today, The Photography of Richard Termine in Charleville-MĂ©zières, France.

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Stuck Together – Closing Reception

On Saturday, May 11th, there was a closing reception for Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz at Track 16

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Riot Material (review)


On April 8, 2019, Genie Davis reviewed Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz in “Stuck Together Repurposes And Becomes Richly Subversive” for Riot Material.

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How We Got Stuck Together

Detail from (In)/Animate Objects Panel #1, 2019,  photo: Track 16

Whether it’s disintegrating dolls, mutant ceramic bunnies, or rescue animal pinups, the artists of Stuck Together: Marsian De Lellis, Simone Gad, Debra Broz, playfully handcraft responses to mass-produced objects and images charged with autobiographical fragments. Join me on a virtual tour, where we can survey the work for context… Continue reading “How We Got Stuck Together” →

24700 (Blog)

On March 29, 2019, 24700, News from California Institute of the Arts featured my D+R Residency at Automata for Model Killer in their blog article by Katie Dunham.

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The Austin Chronicle

On December 7, 2018, The Austin Chronicle covered The Austin Puppet Incident in which I performed The Feeder, a short tabletop puppetry piece about complicated relationship.

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The Feeder (Austin)

December 7th and 8th, 2018, I performed The Feeder at the Dougherty Arts Center as part of Austin Puppet Incident.

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Love Lost and the Enchantment of Objects by Jacki Apple (essay)

On November 2, 2018, Jacki Apple wrote Love Lost and the Enchantment of Objects, a critical essay on my performance, Object of Her Affection, for Fabrik in her column, Peripheral Visions: Perspectives on Performance, Media and Culture.

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