
In January 2010, Tanja M. Laden of Flavorpill described Bride of Wildenstein – The Musical as “demented, touching and inherently strange”
Continue reading “Flavorpill, Los Angeles”
In January 2010, Tanja M. Laden of Flavorpill described Bride of Wildenstein – The Musical as “demented, touching and inherently strange”
Continue reading “Flavorpill, Los Angeles”
On January 21, 2010, I appeared on Feast of Fun to speculate on trends for 2010 and discuss Bride of Wildenstein – The Musical with Fausto Ferños and Marc Felion.
Continue reading “Feast of Fun #1128 – The Bride of Wildenstein’s Predictions for 2010, Chicago”
October 31, 2009, Archikulture Digest, a blog on Ink19, reviewed Bride of Wildenstein – The Musical was reviewed during it’s run in Orlando.
Continue reading “Archikulture Digest, Orlando”
In 2009 Katie Ball interviewed me for her show, “Art Beat”, on WUCF. “Art Beat” aired in Orlando where I was staging Bride of Wildenstein – the Musical.
Continue reading “89.9FM WUCF, Orlando (interview)”
On June 26th, 2009, I appeared on Feast of Fun, a Chicago-based LGBTQ comedy podcast. On show #1013 – Stonewall Michael Jackson, I spoke with Fausto Ferños and Marc Felion about the demise of Michael Jackson and why eccentric public figures are hated and celebrated at the same time.
Continue reading “FOF #1013 – Stonewall Michael Jackson, Chicago (interview)”

In the Spring of 2009, Lynn Jeffries wrote about my work in Puppetry International’s “40 Under 40” edition, in which she likened my performances as “a crazy hall of mirrors, flashing bits of a story from multiple angles [..] held together by a strong idosyncratic personal aesthetic. And lots of fake fur”
Continue reading “Puppetry International”
A review by Malcolm Jack in the Scotsman, characterized Growing Up Linda’s run at the 2008 Edinburgh Fringe as “colorful, elaborate, nightmarish”.
Continue reading “The Scotsman (review)”
During it’s run at the Edinburgh Fringe, Three Weeks, gave Growing Up Linda four stars and noted that it’s “debt to celebrity-obsessed daytime television brought the fusion of trashy and glam to its peak.”
Continue reading “Three Weeks, Edinburgh (review)”In June, 2007, I was a marionettist in Lead Feet and Nothing Upstairs: A History of the Lifelike. Written and directed by Susan Simpson, Lead Feet focused on female triplets raised their grandmother (who I performed) and ideas about originality and personal identity. LA Taco covered Lead Feet, published a photo I took of one of the marionettes and mentioned my performance as the grandmother.
The power of puppetry was present in the tiny detailed face of the crone-like grandmother, whose miniscule movements conveyed profound love and protection, whether reaching out to nothingness for a hug or spreading a heaven-sent blanket over her ward
– LA Taco