Tag: Puppetry

2015 Jim Henson Foundation Grant (support)

Posted on by hausofmarsian in Animism, LA, Los Angeles, Marsian De Lellis, Michele Spears, Object Sexuality, Object Sexuals, Performance, Performance Art, Puppetry, Puppets, The Jim Henson Foundation
Photo: Rafael Hernandez

In 2015, Object of Her Affection was the recipient of a Project Grant from the Jim Henson Foundation.

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OBJECT OF HER AFFECTION to Play REDCAT, 7/30-8/2, BROADWAY WORLD

Posted on by hausofmarsian in Acting, Anna Sosenko Assist Trust, Automata, CCI Center for Cultural Innovation, Comedy, Design, Drama, Fabrication, Jim Henson Foundation, LA, Live Feed, Los Angeles, Marsian De Lellis, Michele Spears, Object of Her Affection, Object Sexuality, Object Sexuals, Object Theatre, Performance, Performance Art, performing objects, Press, Puppetry, Puppets, REDCAT, Table Top Puppetry, The Jim Henson Foundation, Theater, Toy Theatre
Photo: Steve Gunther

July 22, 2014, Broadway World covered Object of Her Affection’s run at REDCAT for the NOW Festival.

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The Joan Quinn Profiles

Posted on by hausofmarsian in Artist Talk, interview, LA, Los Angeles, Marsian De Lellis, Object Sexuality, Object Sexuals, Performance, Performance Art, performing objects, Puppetry, Puppets, REDCAT, Table Top Puppetry, Theater

On June 23, 2014, Joan Agajanian Quinn interviewed me for her cable access show The Joan Quinn Profiles in advance of my performance, Object of Her Affection at REDCAT in Los Angeles. Object of Her Affection is a solo object and puppet-based performance art piece centered on a woman, who in her search for true love develops intimate relationships with inanimate objects.

excerpt from Joan Quinn Profiles: Lisa Adams and Marsian De Lellis
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The Scotsman (review)

Posted on by hausofmarsian in Comedy, Edinburgh, Edinburgh Fringe, Eugean Seo, Fudgie's Death, Gainers and Feeders, Growing Up Linda, Joel Egger, Live Feed, LSD Kills, Marsian De Lellis, Performance, Performance Art, performing objects, PJ McWhiskers, Pop-Ups, Press, Puppetry, Puppets, Rachel Weir, Stop-motion, Surrealism, Table Top Puppetry, Theater, Toy Theatre, Venue 13, Video, Violence, Written

A review by Malcolm Jack in the Scotsman, characterized Growing Up Linda’s run at the 2008 Edinburgh Fringe as “colorful, elaborate, nightmarish”.

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