The Fall 2021 Edition of The Puppetry Journal profiled the Chicago International Puppet Theater Festival, including Object of Her Affection, which performed as part of the festival.
Continue reading “Object of Her Affection, Puppetry Journal”
On December 30, 2021, The Chicago Tribune covered the Chicago International Puppet Theater Festival where I performed Object of Her Affection, a puppet and object-based performance art piece in which a woman develops intimate relationships with inanimate objects. While in Chicago, I also presented at the symposium, Staging the Non-Human Character: Animal, Alien, or Architecture.
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Over the summer I contributed a speeches and rally posters related to the passage of the LGBT Student Rights Law in Massachusetts to the New York City Department of Education’s Hidden Voices LGBTQ+ project for their middle school social studies curriculum.
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On October 7, 2021, the prologue from Automata: Selections from the Permanent Collection, a documentary I began during a socially distant residency at Automata, was part of a virtual exhibition, Reimagine Public Art, Vol 2., curated by the Los Angeles Department of Cultural Affairs. The online exhibition runs through March 19, 2022.
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September 29 to October 10, 2021, a photograph from a workshop of Model Killer: Giant Crimes + Tiny Cover-ups was part of the exhibition, American Puppet Theater Today: The Photography of Richard Termine. The exhibit was presented by the Jim Henson Foundation at La MaMa Galleria in New York City.
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From September 9, 2021 – January 12, 2022, I was an artist in residence at the Camera Obscura Lab in Santa Monica.
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On July 9, 2021, Jeff Slayton published an interview in LA Dance Chronicle with Lindsey Lollie and me about a Research and Development Residencies we completed separately through Los Angeles Performance Practice.
Continue reading “LA Dance Chronicle”March 13, 2021 was the conclusion of my 2021 Research and Development Residency at home for Model Killer through Los Angeles Performance Practice.
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I first became aware of Simone Gad running into her at art openings where she was often accompanied by Sheree Rose. I heard that Simone was a former child actor and outsider artist, but didn’t know her all that well. That all changed one day when Sean Meredith suggested we partner for an exhibition at Track 16.
Continue reading “Simone Gad (1947-2021)”On February 14, 2021, I began a Research and Development Residency at home through Los Angeles Performance Practice.
Continue reading “Model Killer (Research + Development Residency) announcement”